How a "People" were "Served" by their MUSIC
It was when I read Frederick Douglass' Autobiography, that I first realized the power of the "sounds" that emanated from the "slave fields". Those "sounds" were carried by those slaves into their "churches"; which were, in the beginning, small gatherings in the woods. They praised a God they "borrowed" for their own uses. As the chattel slave period ended, it was soon replaced by JIM CROW government and laws; that lasted past the time when I became an adult.
Throughout my early years; through the tragedies within my family and the tragedies in the streets from JIM CROW and the Klan, I was sustained by those "sounds". When I declared my "independence" from my father in 1958, I boarded a train to St. Louis, where I purchased, at Famous and Barr, two music albums: Dina Washington's Dinah!, and Ella Fitzgerald's Rogers and Hart Songbook. Throughout my travels since, I have clung to both of them.
From the 1940's Jazz and Rhythm and Blues, through Rock & Roll (the original in the late 1940's and early 1950's), those "sounds", and those artists of, what whites then deemed RACE MUSIC, sustained me and most of the people I knew in our segregated world. The whites, later, saw the ability to make "quick bucks" from "covering" those sounds; and the world has not been the same since.
Every time I hear the "Unforgettable" duet, (the first of it's type, as I remember) of Natalie singing with her Dad, (who died in 1965, when Natalie was 15 year old); it sends shivers through me. I remember the "holy" nature of those sounds; produced by thousands of black artists, for each age group, and music segment, of interest to black citizens. Ragtime was invented in my home town by a student in one of the first colleges established in this country for black students. Just about every household on our side of the "tracks" had a piano, and most of the children who were my classmates in our segregated school were also incredible piano players. The music "saved" us in many ways.
Today, I have thousands of recordings, in various media, spanning more than seventy years. I have been fortunate in my travels to meet many of the artists (including an "unforgettable" evening in a lounge at the Hilton in Las Vegas, with Duke Ellington). I've mourned the loss of each of them as they "pass"; beginning with Dinah Washington in 1963, and Nat "King" Cole in 1965. I was able to attend live performances (performed more than 25 years apart) by Ella Fitzgerald in Washington, D.C, and, later, in Los Angeles.
I truly hope there is a "heaven"; because I look forward to meeting them and hearing them "live", once again.
Stay Vigilant! May the "sounds" continue to console and entertain.
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